Ballroom dancing: The Fox Trot
About the Fox Trot
The foxtrot is described as
a dance with smooth, long flowing movements as
the couple glides across the dance floor. There
are many forms of the American version of the
Foxtrot. One version is the Bronze Level
Foxtrot, which combines walks and chasses,
making it a perfect dance for social occasions.
This Foxtrot is most like that of the Harry Fox
version, which is considered the original
Foxtrot. Another American version is the Silver
American Foxtrot, which is more like the
international version. The Gold Level Foxtrot is
a version of the American Foxtrot that is very
much like the dance styles of both Fred Astaire
and Gene Kelly.
The Foxtrot is known for its versatility in that
it can be danced to many different styles of
music with different tempos. The music
preference in competition for the Bronze Foxtrot
is the 4/4 big band (vocal) at a tempo of 30 to
34 measures per minute; for Silver versions and
above, it is danced to measures of 29 to 30 per
minute.
The Foxtrot was danced to the vocalists of the
1940's and 50's such as Dinah Shore, Frank
Sinatra, Billie Holiday, Nat King Cole and Bobby
Darin. HISTORY A man by the name of Harry Fox
was responsible for introducing the Foxtrot into
society in 1913. It is considered the most
popular and long lasting dance of the 20th
century, albeit with a few changes along the
way. The Foxtrot would be considered simple and
unrefined compared with the standards today;
however, the dance fit in quite well with the
music of its time.
The Foxtrot was known for it overall
versatility, as well as its rhythmic
distinction. It is the first dance to introduce
the "Slow" count. The dances before that time,
such as the Waltz and the One-Step, had a single
count rhythm. During the 1930's the Foxtrot
moves became smoother and more flowing, which
created quite a contrast to the Latin dances
that were becoming popular during that time
period.
The English adapted their own version of the
Foxtrot and called it the Slow Foxtrot, which is
actually the technical foundation for the
Foxtrot we have today. The dance contains long,
smooth, flowing movements that could not be
danced well in nightclubs due to their crowded
conditions. In order to dance this new version
of the Foxtrot you would need a lot of space on
the dance floor. Also the patterned movements
took a great of to learn and perfect. However,
the Americans later adopted this more
sophisticated international version of the
Foxtrot for its more advanced program of the
dance. The American version does not restrict
its program to closed position dancing, but
rather it takes on a more dramatic approach than
its international counterpart. The Foxtrot is
still the basis for the movements, but the
choreography is more like the style of Fred and
Ginger or Gene Kelly; and it sometimes reverts
to its inception, that of the Harry Fox style.
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